| Popis: |
Alison LaCroix and William Birdthistle examine two works: Sebastian Barry’s A Long Long Way (2005) and Michael Ondaatje’s The English Patient (1992), which was made into a film, directed by Anthony Minghella, in 1996. Both novels challenge traditional notions of loyalty in wartime. Although they focus on different wars—Barry on World War I, Ondaatje on World War II—the novels raise a pair of related, crucial questions: Loyalty to what and to whom? The books interrogate the meaning of national sovereignty in an age of empire or imperial decline, as their characters confront law in personal ways. Barry’s novel holds out a slim hope that the birth of the Irish Republic might make comprehensible, even if not justify, the bloodbaths of the Western Front. Ondaatje, however, challenges the primacy of nations, suggesting instead that personal loyalties or regional ties provide the only meaningful connections for individuals uprooted by modern global warfare. Both novels thus force their characters to negotiate an overlapping series of boundaries: local and national political lines, as well as ethnic, familial, and emotional borders. |
