| Popis: |
The article is devoted to the substantiation of the psychotechnological possibilities of perceiving a work of art in the direction of psychotherapy, psychocorrection, psychological support for the formation and development of mental properties, personality traits. The artistic perception of works of art is considered in the article as an incentive and mechanism for initiating the processes necessary for adaptation, socialization, personality formation and development, identification, self-actualization, reflection, etc. A comparative analysis of scientists' approaches to understanding the content of psychotechnology is given, and conclusions are drawn that psychotechnology is a holistic, focused and thoughtful way of influencing the human psyche (groups of people). In accordance with this conclusion, an assumption is made about the psychotechnological properties of artistic perception, which is interpreted as an intellectual-emotional complex of impressions, opinions, judgments about the artistic image of a work of art, literature, arts and crafts, culture as a whole. Analyzing empirical data on perception and its results or consequences, for example, correlation with one’s personality, events of one’s life, influence on it, embodiment of the heroes of the novel in the works of its own creativity, images of the novel by M. A. Bulgakov «Master and Margarita», the author comes to the conclusion about the psychotechnological possibilities of artistic perception, as a way of interaction integrating the elements of the world and significant elements of the inner world of the person, including explications of the past, present and future, social and personal, correlated with perceived artistic image and enriched with personal content in the process of its perception. We consider such elements of artistic perception as an emotional reaction (in the totality of its elements), personal interpretation (as a process of correlating one's conceptual system with the system proposed by the author). The article presents some results of experimental studies and exposure of copyright options to use artistic perception as psychotechnology. |
