| Autor: |
Luísa Cymbron, Jens Hesselager, Laura Moeckli, Anne Kauppala, Carolin Hauck, Owe Ander, Carlos María Solare, Sarah Hibberd, Ulla-Britta Broman-Kananen, Karin Hallgren, Emanuele Bonomi |
| Rok vydání: |
2017 |
| Předmět: |
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| DOI: |
10.4324/9781315466453 |
| Popis: |
Introduction Jens Hesselager Part 1 - Places 1. Parisian Grand Opera at the Basel Theater auf dem Bloemlein: Traces of Transnational Circulation, Translation and Reception Laura Moeckli 2. Grand Opera in Nineteenth-Century Stockholm: Court Celebrations and Bourgeois Entertainment Karin Hallgren Part 2 - Works 3. Cockneys in a Fever: 'Gustave' in London, 1833 Sarah Hibberd 4. Masking the Masked Ball: Auber's 'Gustav III' as 'Die Ballnacht' at the Weimar Court Theatre, 1836 Carolin Bahr 5. Halevy's La Juive in Stockholm, 1866 Owe Ander Part 3 - Characters 6. Sympathy for the Devil? Bertram (Robert le diable) in Copenhagen, 1833 Jens Hesselager 7. Fenella ('La Muette de Portici') and Valentine ('Les Huguenots') as Symbols of National Identity in Helsinki, 1877 Ulla-Britta Broman-Kananen 8. Staging Anti-Semitic Stereotypes: Wainoe Sola's Eleazar at the Finnish Opera, 1925 Anne Kauppala Part 4 - Responses 9 In Search of the National: Nineteenth-Century Portuguese Composers and their First Approaches to Grand Opera Luisa Cymbron 10. Conflicting Ethnicities on the Russian Imperial Stage: The Case of Otto Dutsch's 'The Croatian Girl' Emanuele Bonomi 11. Meyerbeer on the 'Zarzuela' Stage: El duo de 'La Africana' by Manuel Fernandez Caballero Carlos Maria Solare |
| Databáze: |
OpenAIRE |
| Externí odkaz: |
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