| Popis: |
The study of Korean media, and K-dramas specifically, has been dominated largely by discourses surrounding the ‘Korean Wave’ and the increased popularity of South Korean popular culture abroad. More specifically, many English-language analyses have tended to focus their attention on the Korean Wave as an analytical framework, thus failing to acknowledge the ways in which these texts address domestic audiences and societal issues specific to South Korea. Thus, little attention has been paid to more implicit representations of the nation and its past in these K-dramas, a particularly noteworthy oversight when we consider that melodrama, a distinctly reflexive genre, is the governing mode of many contemporary K-dramas. Thus, this article aims to demonstrate the multiplicity of meanings that can exist within these media texts, paying particular attention to the reflexive capacities of the melodramatic mode. Through the examination of two case studies,IrelandandDescendants of the Sun, this article will discuss the ways in which shifting inter-Korean relations have been articulated in both dramas through sociopolitical contextualization and narrative analysis. This article will examine the use of foreign places and foreign crises in these dramas, and demonstrate their capacity to function as arenas for the expression and exploration of national trauma relating to the Korean war and the division of the Korean peninsula. This article aims to demonstrate that despite the increasing hybridization of Asian media, it remains important to analyse the relationship between K-dramas and domestic audiences in order to better understand the ways in which they address and work through significant social and political concerns for South Korean audiences. |
