СОЦІАЛЬНІ ТАНЦІ В СОЦІОКУЛЬТУРНОМУ ПРОСТОРІ ХХІ СТ.: СПОРТИВНО-ЗМАГАЛЬНИЙ АСПЕКТ
| Autor: | Roman Hrytseniuk |
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| Rok vydání: | 2020 |
| Předmět: | |
| Zdroj: | Вісник КНУКіМ. Серія «Мистецтвознавство». :183-190 |
| ISSN: | 2616-4183 2410-1176 |
| DOI: | 10.31866/2410-1176.42.2020.207650 |
| Popis: | The purpose of the article is to identify and analyse the specifics of the development of social dances in the modernspace; identify features and characterise the prospects of new sports and competitive context of social dancing. The researchmethodology is based on the principle of a holistic and systematic approach to the study of social dances. The analyticalmethod is applied (to determine scientific approaches); a method of artistic-stylistic and art criticism analysis (to identifyand justify the development trends of the social dance of the twentieth century); system-functional method (to promote thestructuring of social dances’ championships as phenomena of modern sociocultural space). Scientific novelty. For the firsttime in Ukrainian Art Studies, the development of the sports and competitive context of social dances of the twentieth centuryhas been investigated; features of the dance technique and dance vocabulary of social dances are analysed: Argentine Tango,Bachata, Merengue, Salsa, West Coast Swing, Jitterbug, Discofox, as well as the Caribbean Show, Latin Show and CaribbeanDances – dance programs approved by the International Dance Organization for European and World Championships atthe present stage; the specific differences of non-competitive and competitive social dance in the sociocultural space ofthe 21st century are revealed. Conclusions. The study identified that at the present stage in the context of the developmentof the sports and competitive direction of social dances, their characteristic features are being transformed (the valueof the visual component of the dance is enhanced, the technique of social dances performing is standardised) as well asthe functions are (educational, aesthetic, and visual functions are getting dominant but communicative, informational,emotional, social, recreational, psychotherapeutic). Modern social dances represent the flexibility of the combination ofthe art of dance (standard quality) and skills (program preparation): art involves creativity, spontaneity and self-expression,and skills promote the creation of an aesthetic, artistic aspect, but without personal creativity and self-expression accent. |
| Databáze: | OpenAIRE |
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