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Anikó Imre: TV Socialism Vlad Strukov and Helena Goscilo (eds.): Russian Aviation, Space Flight, and Visual Culture Norbert P. Franz (ed.): Andrej Tarkovskij: Klassiker – Классик – Classic – Classico Mary Harrod, Mariana Liz, and Alissa Timoshkina (eds.): The Europeanness of European Cinema. Identity, Meaning, Globalization Michael Gott and Todd Herzog (ed.): East, West and Centre: Reframing Post-1989 European Cinema The Disappearing Theoretician: From Anna Li to A.N. Pudovkina Female editors in Russian Cinema: Vera Dmitrievna Popova-Khanzhonkova Film Editing as Women’s Work: Ėsfir’ Shub, Elizaveta Svilova, and the Culture of Soviet Montage Lenuta Gukin, Janina Falkowska and David Desser (eds.): Small Cinemas in Global Markets. Genres, Identities, Narratives Stekliannyi Glaz (The Glass Eye) and Karmen – The Actress, Editor and Director Lilia Brik Creative Editing: Svilova and Vertov’s Distributed Cognition Recognising Women’s Work as Creative Work Ėsfir’ Shub on Women in the Editing Room: “The Work of Montazhnitsy” (1927) |
