| Popis: |
This study asks about the contemporary forms that have been used in children’s theater, in particular, the post-dramatic strategies that are incorporated into many stage practices at the beginning of this century, and that are visualized here in digital performance- scenic Un poco invisible, by the Chilean company Maleza. This phenomenon will be approached from a descriptive hermeneutical perspective, which collects elements of the language of stop motion animation; use will be made of theoretical elements from theater studies, and their drifts in performance studies, which requires the analysis of the close relationships that weaves the theater scene focused on children and the image of the video that circulates in their inside. |
