| Popis: |
The paper considers the poetics of the implied senses in the comparative view that are conveyed with the literary tools in the screenplay «Earth» by Oleksandr Dovzhenko and cinematographic –in his film of the same name that has increased the sum of the world film art. The inner conflict between the «right» social realistic ideology (class struggle in a rural community, collectivization) and the implied senses, that expressed the beauty of the Ukrainian earth and the moral health and the invincibility of the Ukrainian nation, has been analyzed. Particularly, the nation basis is arisen on the implicit level, generally with a method of a description of the Ukrainian earth, the beauty of nature, picturesque landscapes, and the Ukrainian nation, that historically has a strong connection with the earth. In this way the feelings of great love and deep respect to the Earth, nation, and native land, are suggested to the viewers. At the same time the moral and ethical values, associated with the perennial and philosophical problem of the Earth, are emphasized through the beauty. In sum, it has been determined that it was the subtext aspect that gave the film that unique magnetic energy that had the eternity code of the work. |
