Sound versus image in It Can Pass Through the Wall and M

Autor: Libertad Gills
Rok vydání: 2017
Předmět:
Zdroj: Short Film Studies. 7:169-172
ISSN: 2042-7824
DOI: 10.1386/sfs.7.2.169_1
Popis: Sound and image compete in It Can Pass Through the Wall, as in Fritz Lang’s M (1931), to create tension between what is seen and what is heard. This disconnect between image and sound draws attention to the limits of the visual and the possibilities of the audible.
Databáze: OpenAIRE