| Popis: |
The article is devoted to the problems of the social role of the musical ensemble. The purpose of the article is to identify the ethical and social specifics of the ensemble as a phenomenon and the consolidating nature of the very nature of ensemble music-making as a form of communication. The main methods are socio-anthropological, culturalhistorical, phenomenological and systemic. The proposed study is based on the concept of the theory and history of the musical ensemble, created by the author of the article and presented in her scientific works. The problems of the ethical and social role of the ensemble are covered by us in the context of research in the field of music history, musical sociology and social psychology. The author reveals the social and psychological essence of the ensemble as a special model of personal interaction between people. The semantic transformations of ideas about the place and role of ensemble music-making in the life of society in various historical periods are characterized. The special significance of the ensemble as the embodiment of the socioethical ideal of romantic philosophy and aesthetics is revealed. The most important social functions of the musical ensemble are defined and characterized. |
