КЛАССИЧЕСКИЙ КРОССОВЕР В КОНТЕКСТЕ ВЗАИМОДЕЙСТВИЯ ТЕНДЕНЦИЙ ВОСТОКА И ЗАПАДА
| Rok vydání: | 2022 |
|---|---|
| Předmět: | |
| DOI: | 10.24412/2070-075x-2022-1-7-15 |
| Popis: | В статье, основываясь на обзоре литературы по проблеме,выявляются черты классического кроссовера и определяются его характеристики в восточной и западной традиции. На материале анализа вокальных произведений китайской и российской популярной музыки показаны принципы структурирования песенных композиций, репрезентирующих классический кроссовер, через введение цитат академической музыки в эстрадную композицию. Материалом анализа послужили опусы китайского певца Джей Чоу, вокальные композиции Елены Ваенги и Пелагеи. The article, based on a review of the literature on the problem, identifies the features of the classical crossover and determines its characteristics in the Eastern and Western traditions. The choice of the phenomenon of classical crossover as the object of research determined the focus of the article - the identification of the role of citation material in academic music as a component of crossover. The aim of the article is to show the general principles of structuring song compositions representing classical crossover through the introduction of quotations from academic music into pop compositions based on the analysis of several vocal works of Chinese and Russian popular music. The material for the analysis was the opuses of the Chinese singer Jay Chou “Piano of Sorrow”, “Dream Started”, the song “Chopin” by Elena Vaenga, and the vocal composition “Stitches-Paths” performed by Pelageya. The authors come to the conclusion that vocal works representing classical crossover have common characteristics in the Eastern and Western traditions, which is associated with the idea of globalization, socio-cultural processes. Classical crossover is based on mixing different-style musical material, the interaction of different performing manners, a commercial way of presentation in the modern cultural space. All this allows considering it at the level of the composer, performing creativity, and in the aspect of production. Classical crossover is relevant in the light of postmodern trends in contemporary art. This is manifested in the citation and collage principle of structuring a musical composition. Being in the stage of formation and development, classical crossover develops new forms, the study of which is relevant for academic musicology. |
| Databáze: | OpenAIRE |
| Externí odkaz: |
|