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List of figures List o fplates Notes on contributors Introduction Acknowledgments Part 1: Understanding self-censorship 1 Rethinking the curator's remit Janet Marstine 2 Much ado about nothing: policing of controversial art in the UK Julia Farrington 3 Curating contemporary art in Doha, Qatar: anticipated "conversations," undesirable Controversies and state self-censorship Serena Iervolino 4 No names, no titles, no further explanations Noam Segal 5 Lady disrupted: self-censorship and the processes of feminist curating in South Africa Candice Allison 6 Bishan project: efforts to build a utopian community under authoritarian rule Ou Ning Part 2: Negotiating self-censorship 7 Navigating Censorship: a case from Palestine Jack Persekian 8 Truth or dare? Curatorial practice and artistic freedom of expression in Turkey OEzge Ersoy 9 The complexity of taking curatorial risks: case studies from East Asia Oscar Ho 10 Negotiating self-censorship in the representation of Colombian armed conflict Cristina Lleras 11 Experimental curatorship in Russia: beyond contemporary art institutions Nadia Plungian 12 From Carbon Sink to WASTE LAND: a case study in navigating controversy Susan Moldenhauer 13 The bigger picture: rethinking curatorial approaches to photographs of childhood Ceciel Brouwer 14 Smart tactics: towards an adaptive curatorial practice Svetlana Mintcheva Index |
