Il trionfo del Tempo e del Disinganno: Four Case-Studies in Determining Italian Poetic-Musical Genres

Autor:	Carolyn Gianturco
Rok vydání:	1994
Předmět:	Poetry media_common.quotation_subject 06 humanities and the arts Art Musical Humanities 0604 arts Music 060404 music media_common
Zdroj:	Journal of the Royal Musical Association. 119:43-59
ISSN:	1471-6933 0269-0403
DOI:	10.1093/jrma/119.1.43
Popis:	Throughout most of the seventeenth and eighteenth centuries a three-act structure prevailed in Italian opera. Spoken plays in Renaissance Italy had been in five acts, a structure which was maintained both when music was inserted into them (as in Guarini's Il pastor fido of 1584) and, later, when they were set entirely to music (as was Rinuccini's Orfeo of 1600). Whereas spoken plays generally continued to follow a five-act structure, the favola in musica soon assumed a different, three-act structure (T. de Cupis's Eumelio of 1606 set by Agostino Agazzari and Ottavio Corsini's Aretusa of 1620 set by Filippo Vitali were among the first to be in three acts) and this remained the norm until the 1770s.
Databáze:	OpenAIRE
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