Colophons, reception, and Chinese painting

Autor:	De-nin D. Lee
Rok vydání:	2012
Předmět:	Linguistics and Language Painting Literature and Literary Theory Visual Arts and Performing Arts media_common.quotation_subject Dialogical self Art Chinese painting Aesthetic experience Language and Linguistics Visual arts Colophon Social relationship Inscribed figure media_common
Zdroj:	Word & Image. 28:84-99
ISSN:	1943-2178 0266-6286
DOI:	10.1080/02666286.2012.664320
Popis:	Focusing on a case study of Zhao Mengfu’s Autumn Colors on the Qiao and Hua Mountains of 1295, this essay argues that colophons, the texts inscribed onto Chinese paintings by historical beholders, operate as focalizers offerings points of entry to the implicit beholder. The resulting aesthetic experience is less a dialogical encounter between artwork and beholder, and more a process of locating one’s affiliations in the time-space of an expanding web of social relationships expressed in the painting and the practice of writing on painting.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_________::a6282adf42fb4c0b0b7f2768571c7bad https://doi.org/10.1080/02666286.2012.664320 Zobrazit plný text záznamu