| Popis: |
Chapter 3 reinforces the analytical concepts presented in the preceding chapter by providing another close analysis of a movement by Mozart—the slow movement of his Symphony No. 34 in C, K. 338. The choice of a slow movement also introduces the concept of the role of such movements in multimovement works. Since slow movements are often in a key other than that of the whole work’s tonic (referred to here as a “global tonic”) the analyst needs to keep in mind the relation of that slow-movement key to that governing the larger piece. Of special interest are cases (as here) where the global tonic, primary in the other movements, is visited only as a secondary key here. The chapter also introduces the concept of the “Type 1 sonata,” that is, the sonata that, lacking a development, consists of only an exposition and a recapitulation (as opposed to the more common “Type 3 sonata,” which includes that development). |
