| Popis: |
In the article, the author attempts to answer the question to what extent Stefan Moraw- ski's and Grzegorz Sztabinski's views on neo-avant-garde art were convergent or identical. The first stage on the way to answering this question is the reconstruction of Grzegorz Sztabinski's standpoint on the crisis of culture and the role of neo-avant-garde art in it. The second stage is the reconstruction of Stefan Morawski's contexts of understanding the art practised by Grzegorz Szta- binski. The third one, which provides a fundamental answer to the question posed in the introduction, is the confrontation of the axiological dimension of neo-avant-garde art with postmodernist art. The author argues for axiological convergence in the decisions of Grzegorz Sztabinski and Stefan Morawski in favour of neo-avant-garde art confronted with postmodernist art |
