FORMAL DESIGN AND MATERIAL IN MAURICIO KAGEL'S ANTITHESE FÜR ELEKTRONISCHE UND ÖFFENTLICHE KLÄNGE

Autor:	Makoto Mikawa
Rok vydání:	2014
Předmět:	Politics Formal design Electroacoustic music Musique concrète media_common.quotation_subject Foundation (engineering) Art history Plan (drawing) Art Composition (language) Music media_common
Zdroj:	Tempo. 68:57-67
ISSN:	1478-2286 0040-2982
DOI:	10.1017/s0040298214000369
Popis:	Indifferent to the aesthetic dispute between the Parisian musique concrète and the Cologne elektronische Musik schools in the mid twentieth century, Mauricio Kagel took a synthetic approach to his second electroacoustic composition Antithese by combining these compositional principles. His aim was not to offer an eclectic solution to the controversy, but to express his musico-political and musico-social commentary. A close observation of Kagel's sketches, archived at the Paul Sacher Foundation, suggests that his choice of compositional materials and painstaking structural plan were shaped by his critical view of the politics of electroacoustic music.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_________::74e9f172cdd51b865516219bfdfdaa4a https://doi.org/10.1017/s0040298214000369 Zobrazit plný text záznamu