Marcia Oakes Woodbury and Religious Identity in Moeder en Dochter: Het Geheele Leven

Autor:	Annette Stott
Rok vydání:	2017
Předmět:	New england Visual Arts and Performing Arts Protestantism media_common.quotation_subject Museology Close reading Spirituality Visual art of the United States Art Religious studies Piety media_common
Zdroj:	Archives of American Art Journal. 56:24-41
ISSN:	2327-0667 0003-9853
DOI:	10.1086/692634
Popis:	This close reading of Marcia Oakes Woodbury’s 1894 watercolor triptych Moeder en Dochter illuminates three qualities of Christian piety from an American woman’s perspective: its private domestic nature, its characterization as feminine, and its melding of Catholic and Protestant forms. More specifically, Woodbury’s work, considered in conjunction with her papers in the Archives of American Art, reveals the interplay of traditional Roman Catholicism expressed as domestic piety, New England Congregationalism as the interpretive lens for that piety, and a newly emerging, unorthodox spirituality that inflected both.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_________::6e5bdcf6d75652a32f5bb8dde04e880b https://doi.org/10.1086/692634 Zobrazit plný text záznamu