| Popis: |
The introduction defines “political action” and “solidarity” theoretically, as frameworks for organizing and dispersing the relationship between music and protest. It also introduces the Polish opposition to state socialism, giving an overview of the political agents (activists, critics, citizens, priests, bureaucrats, Party members, journalists) who are the main protagonists of this history and who guide the musics and scenes upon which the book focuses. One cabaret anthem, Jan Pietrzak’s “So That Poland Will Be Poland,” serves as an orientation point. The song’s text, key performances in Warsaw, and use by the US Information Agency for propaganda give insight into national and international perspectives on the Solidarity movement and its historiography from the 1980s into the present. |
