| Popis: |
The article presents the representation of sensory sensations in textual discourse. Perceptual image of the Parisian text, emigration in the novel by G.I. Gazdanov “Night Roads” is considered as an interpretive code that explains the specifics of the emigrant reception. The problem of artistic perceptivity is relevant and at the moment there is a need for research focused on studying the phenomenon of perception as a factor in text formation. The article analyzes the following contextual features of the use of linguo-poetic means characteristic of the author's idiostyle: perceptual metaphor, perceptual oxymoron, comparison, allusions, and others that create a sensory sensation. Text-forming and conceptually significant perceptual contrasting metaphors are revealed, corresponding to the opposition of the motives of one's own and another's world, present and past, night and day Paris. The article notes the close relationship of human mental activity with sensory, namely auditory, olfactory perception of reality, as well as the synergistic integrity of the processes of perception and state in the artistic space of G.I. Gazdanov. |
