| Popis: |
The article, based on the story of Sergei Shargunov "Ausweiss", sets out the options and methods for subjectivizing the author's narration, as well as methods for introducing an implicit narrator into the text. In the course of compositional deployment, the ratio of the categories "author's image" and "implicit narrator" pulsates, but remains the fundamental vector that sets the tone for the linguocultural type "official". The shift of the point of view from one sphere to another is reflected in the change of speech parts. The deliberate clash of colloquial and book vocabulary, occasional word formation and word use of adverbs, syntactic inconsistency of the members of the sentence become indicators of the author's omniscience and objectification of the narrative. The narration is subjectified in contexts where the author's all-vision is replaced by immersion in the inner sensations and consciousness of Dvortsov. The implicit narrator is verbalized through contextual antonyms, lexico-syntactic parallelism, end-to-end impersonation and expanded metaphor. |
