DE SMART VAN DE SCHIJN OVER HEIDEGGERS FILOSOFIE VAN DE KUNST DIRK DE SCHUTTER
| Autor: | Dirk De Schutter |
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| Rok vydání: | 1990 |
| Předmět: | |
| Zdroj: | Bijdragen. 51:38-67 |
| ISSN: | 1783-1377 0006-2278 |
| DOI: | 10.2143/bij.51.1.2015398 |
| Popis: | Summary In his meditation on art Heidegger tries to show how art is given the ability to overcome the twentieth-century metaphysical constellation that is characterized by nihilism and technological rationalism. Whereas technology wills the complete control over the totality of beings, art respects the identity of beings: art breathes the assumption that this identity cannot be appropriated, not because it belongs to the beings as an unalienable property, but rather because it affects them with the gift of otherness that forever imprints upon them the mark of a lack. In the same way nihilism has forgotten the finitude of beings: art frees the space and time to experience this finitude. This is an experience of tearing grief: it does not conquer the negativity of death, but abides with it in a mixture of release and dissimulation. Art itself dissimulates. It is called by the unavoidable impiety to bring into unconcealment what of necessity will never have been present and will always have withdrawn: the di... |
| Databáze: | OpenAIRE |
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