A Computer-Assisted Version of Stockhausen's Solo for a Melody Instrument with Feedback

Autor:	Benny Sluchin
Rok vydání:	2000
Předmět:	Melody Event (computing) media_common.quotation_subject Speech recognition Context (language use) Musical Art Computer Science Applications Visual arts Media Technology Active listening Polyphony Meaning (existential) Music Simple (philosophy) media_common
Zdroj:	Computer Music Journal. 24:39-46
ISSN:	1531-5169 0148-9267
DOI:	10.1162/014892600559308
Popis:	In Solo, he turned his attention to the tape recorder-or, more precisely, to the tape loop. For Stockhausen, feedback went beyond the simple "reinjection" of sound into a musical process; it had a more general meaning, as he himself said: "I mean, for example, any kind of feedback between musicians who play in a group, where one musician inserts something, bringing something into context and then listening to what the next musician's doing with it when he's following certain instructions, transforming what he hears" (Cott 1973). Other pieces written with this philosophy include Prozession, Kurzwellen, Spiral, Pole, and Expo. The composer used different symbols to indicate the transformations to be used with a chosen musical event played by either the same or another player. Always interested in the expanded technical possibilities of melodic instruments, Stockhausen wanted to compose polyphonic music for a solo monodic instrument where the soloist is aided by several assistants (Stockhausen 1971)
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_________::55db7a152d0228794fca2bc5fb6b330b https://doi.org/10.1162/014892600559308 Zobrazit plný text záznamu Plný text ve formátu PDF Plný text ve formátu HTML
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