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The Italian film I dannati della terra (The Damned of the Earth) (Orsini and Filippi 1968) is a prominent example of the connection between the European cinema of intervention and the Third World struggles of the 1960s. Set as a ‘film within a film’, the movie tells the story of a leftist filmmaker, Fausto Morelli, who faces the challenge of finishing a film about the liberation struggles of sub-Saharan Africa by building on the documentary footage that was bequeathed to him by his student and friend, the young Abramo Malonga, an African (Bantu). This article recovers overlooked and little-known documents about the film to show that it is the expression of an active cinematic Third Worldism forged in previous years between the legacy of the Resistenza Partigiana (Italian Resistance) and the Third World struggles of the 1960s. At the same time, the article analyses the ways in which the film ‘dialogues’ with experimental trends of the contemporary avant-garde artistic scene in order to challenge the viewer to debate the ‘open ideological hypothesis’ of the film and take an active part in the political struggles of the time. |
