The Passion of the Passacaille: Ravel, Wagner, Parsifal

Autor:	Michael J. Puri
Rok vydání:	2013
Předmět:	Dialectic Literature Visual Arts and Performing Arts business.industry media_common.quotation_subject Opera Passion Art language.human_language German Style (visual arts) Allusion language business Music media_common
Zdroj:	Cambridge Opera Journal. 25:285-318
ISSN:	1474-0621 0954-5867
DOI:	10.1017/s095458671300013x
Popis:	Long considered to lie ‘light years’ apart, Ravel and Wagner actually have multiple points of contact. Several appear in the comments Ravel made about the German composer in his articles, interviews and correspondence. Another is a previously unrecognised allusion to Parsifal in the Passacaille of Ravel's Trio (1914), which he composed shortly after writing a review of the opera's premiere in Paris. Additional Wagnerisms can be located in Daphnis et Chloé (1909–12) and L'Enfant et les sortilèges (1920–5). More broadly, Wagner plays a central role in the ‘decadent dialectics’ of Ravel's style.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_________::3c9beefe849a110fb238a1b6f912e60d https://doi.org/10.1017/s095458671300013x Zobrazit plný text záznamu