Dziga Vertov's Revolutionary Variety Show

Autor:	Robert Machado
Rok vydání:	2012
Předmět:	Cultural Studies Subjectivity History Hegemony Visual Arts and Performing Arts business.industry media_common.quotation_subject Narrativity Context (language use) Art Visual arts Movie theater Aesthetics Narrative Audience reception business Constructivism (art) media_common
Zdroj:	Early Popular Visual Culture. 10:245-271
ISSN:	1746-0662 1746-0654
DOI:	10.1080/17460654.2012.694692
Popis:	Within the early Soviet Union, artists and theorists experimented with a variety of representational forms and modes that were designed to manipulate audience reception and effect a new Soviet subjectivity. Investigating Dziga Vertov's often overlooked and misread first feature-length film, Kino-Glaz (1924), this article discovers within this historical context a unique cinematic intervention that sought to institute an alternative hegemony to American narrative film, and dominant conventions of narrativity itself, by exploiting the subjects and composite forms of early cinema to evolve a new proletarian sphere.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_________::3c82fa646b27193f56270535ecc1c813 https://doi.org/10.1080/17460654.2012.694692 Zobrazit plný text záznamu