Autor:	Kamila Kulessa
Rok vydání:	2019
Předmět:	Literature and Literary Theory Identification (psychology) Sociology Dimension (data warehouse) Articulation (phonetics) Linguistics
Zdroj:	Przestrzenie Teorii. :315-328
ISSN:	2450-5765 1644-6763
DOI:	10.14746/pt.2018.30.17
Popis:	This paper aims at providing an analysis of Krzysztof Kieślowski’s film No end (1984), focused mainly on representations of corporality. The article attempts to interpret possible meanings of the phantasmatic dimension of existence and its impact on the reality constructed in the film. It also examines issues related to identification and the articulation of sensuous presence in cinematic images.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_________::39c2f471d9f64e1624d6159fa22c8903 https://doi.org/10.14746/pt.2018.30.17 Zobrazit plný text záznamu