Autor:	Celestino Deleyto
Rok vydání:	2021
Předmět:	Movie theater Visual Arts and Performing Arts business.industry Communication media_common.quotation_subject Perspective (graphical) Transnationalism Art history Art business Feminism media_common Nationalism
Zdroj:	Transnational Screens. 12:62-78
ISSN:	2578-5265 2578-5273
DOI:	10.1080/25785273.2021.1909294
Popis:	This article examines the Netflix-produced film The King (David Michod, 2019) from a transnational perspective. It inscribes the new film within the micro-history of cinema adaptations of William S...
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_________::37bf5428ce74058b5c2876b5f190111c https://doi.org/10.1080/25785273.2021.1909294 Zobrazit plný text záznamu