Le Cinéma français filme l'altérité en Corée du Nord : Le Cas du film Voir le pays du Matin Calme

Autor:	Antoine Coppola
Rok vydání:	2017
Předmět:	Cultural Studies History Literature and Literary Theory Visual Arts and Performing Arts media_common.quotation_subject Authorization Art history Art Positivism Naturalism Realism media_common
Zdroj:	Contemporary French and Francophone Studies. 21:150-158
ISSN:	1740-9306 1740-9292
DOI:	10.1080/17409292.2017.1344032
Popis:	In 2012, the French film made without authorization by hidden camera in North Korea Voir le pays du Matin Calme by Gilles De Maistre presents itself as a “fiction in the real.” Despite its experimental concept confronting an unknown hermetic otherness, why does it stumble on the North Korean reality? Comparing it to Moranbong by C.-J. Bonnardot, the first French film allowed to be made in North Korea (1958) and prepared by the photos of Chris Marker, we try to give an answer by stressing the need to overcome a scopic regime inherited from naturalism and Western positivism with the notions of “montrants” and “montres,” belief regimes, and veridiction modes.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_________::309745b02e64b03e6cd9be86e83893c3 https://doi.org/10.1080/17409292.2017.1344032 Zobrazit plný text záznamu Plný text ve formátu PDF Plný text ve formátu HTML
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