A montagem em Eles eram muitos cavalos, de Luiz Ruffato: conversações entre cinema e literatura doi:10.5007/2175-7917.2010v15n1p63

Autor:	João Guilherme Dayrell de Magalhães Santos
Rok vydání:	2010
Předmět:	Movie theater Repetition (rhetorical device) business.industry media_common.quotation_subject Art history Narrative General Medicine Art business media_common
Zdroj:	Anuário de Literatura. 15
ISSN:	2175-7917 1414-5235
DOI:	10.5007/2175-7917.2010v15n1p63
Popis:	The paper aims at establishing connections between the fragmented narrative eles eram muitos cavalos, by Luiz Ruffato, and montage. Through cut and repetition, which, according to Agamben, may be necessary conditions to enable montage, the referred work by Ruffato places us on a tour of seventy fragments: the latter preceded by two black pages. Here it is possible to identify the affinity with the avant-garde cinema of the post-war, where there is the predominance of time-images (Deleuze), which reveal their mediality: there is no longer an ulterior significance resulting from the collision of the statements. So eles eram muitos cavalos deconstructs reality and promotes repetition not as a return to the same, but as a possibility of what has been: means without end.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_________::0d56f73bb622de68506e4ada02588b1e https://doi.org/10.5007/2175-7917.2010v15n1p63 Zobrazit plný text záznamu