The semantics of religious images in the art of the renaissance
| Autor: | V. M. Kavun |
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| Rok vydání: | 2020 |
| Předmět: | |
| Zdroj: | Humanitarian studios: pedagogics, psychology, philosophy. 3:106-113 |
| ISSN: | 2706-9230 2706-9222 |
| DOI: | 10.31548/hspedagog2020.03.106 |
| Popis: | Purpose of research is to consider the culture and art of the Renaissance and explore the semantics of religious images of the outlined period. Methodology. The tasks posed in this work led to the use of the following research methods, namely: analysis and synthesis, generalization and systematization of theoretical material, comparison and generalization of the result obtained in the process of studying theoretical material and specialized publications covering this issue. The solution of the tasks was achieved by applying the comparative historical, descriptive, logical and systemic methods. Scientific Novelty. The semantics of biblical images in the works of Renaissance artists are revealed. Conclusions. In the Renaissance, a completely new self-consciousness of a person is formed, among spiritual values, preference is given to the nobility and personal merits of the person. The meaning of life is not laid in the salvation of the soul, but in creativity, self-knowledge, serving humanity, society and not God. God, giving man free will, gave him the right to create his own destiny and determine his place in the world. Since the church of that time still had great power, the basic ideas of artists of that time were embodied in works with a religious theme, but in their painting, there were existing contradictions between the humanistic, deep life content ant traditional religious subjects. The works of the renaissance conveyed the being of the person around whom the biblical painting took place, all this was on one plane. |
| Databáze: | OpenAIRE |
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