| Popis: |
This study aims to approach the triple topic of women, migration and digital communication techniques in the theatre play e-passeur.com (2016) by Turkish writer Sedef Ecer. Our theme will focus on highlighting the versatile originality that characterizes the aesthetic and thematic dramatization of the close relationship between women’s delocalisation and digital communication. We will demonstrate that this type of communication is dramatized in a bipolar and conflictual, positive and negative way. Insisting rather on the aspect of the dystopian and inhuman use of smartphones, and by linking it to the tragic state of women in geographical and ontological wandering, the author is moving towards a new view of the digital, invasive communication, ambiguous, dangerous and manipulative of human spells. |
