Elipsa suvremenog čitanja ili žanrovske besmislice
Autor: | Miomir Petrović, Ivana Ercegovac |
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Předmět: | |
Zdroj: | BASE-Bielefeld Academic Search Engine In medias res : časopis filozofije medija Volume 3 Issue 5 In Medias Res, Vol 3, Iss 5, Pp 664-676 (2014) |
ISSN: | 1848-6304 |
Popis: | Književna ili, bolje reći, izdavačka hiperprodukcija u ekonomskoj borbi pretvorila je knjigu između ostalog i u tržišni proizvod, a trend bjesomučnog tiskanja iznjedrio je i neke nove književne ili „književne“ žanrove. Nova literatura, može se reći, uprostila je jezik, ali donekle i samu književnost. Tako je pojava takozvanog „ženskog pera“ (chick lit –literature for chicks) u mnogome obezvrijedila i ponizila „žensko pismo“ – francusku feminističku kritiku društva, a pojava „aerodromskog romana“ još više je uprostila triler, lagano štivo, samo po sebi. Rad problematizira pojavu novih žanrova kao način dodvoravanja ciljanim grupama, što ujedno pospješuje dekadenciju književnosti kao umjetnosti. Također, problematizira i pitanje „lakoće“ literature, odnosno, pokušava odgovoriti da li sve „lakši“ pisac uzrokuje „lakši“ mozak čitatelja. In the economic struggle, literary or rather, publishing overproduction has turned a book among other things, into commercial product, and the trend of frantic printing has spawned some new literary or “literary” genres. New literature, it can be said, has simplified the language, and to some point the literature itself. Thus, the emergence of the so-called “women writers” (chick lit-literature for chicks) in many ways devalued and degraded “women’s writing” - french feminist critique of society and the emergence of “airport novel” even more simplified the thriller that is easy reading by itself. The article problematizes the emergence of new genres as a way of playing up to the target groups, which also encourages the decadence of literature as art. It also discusses the issue of “lightness” of literature and attempts to answer whether any “easier” writer causes a “lighter” mind readers. |
Databáze: | OpenAIRE |
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