Haljina s portreta Constance Pipelet (1797.) autora Jean-Baptiste François Desoria - povijesno odjevna analiza i pokušaj rekonstrukcije
| Autor: | Agić, Lucija |
|---|---|
| Přispěvatelé: | Simončič, Katarina Nina, Šabarić, Irena, Hrženjak, Renata, Lebhaft, Karla |
| Jazyk: | chorvatština |
| Rok vydání: | 2022 |
| Předmět: | |
| Popis: | U ovom diplomskom radu uz analizu odijevanja s kraja 18. stoljeća i početka 19. stoljeća baviti ću se istraživanjem odjevne kompozicije i analizom portret Constance Pipelet sa slike francuskog slikara Jean-Baptiste François Desoria iz 1797. godine. Druga polovica 18. stoljeća i prva polovica 19. stoljeća je obilježila Prva industrijska revolucija, ali uz to drugu polovicu 18. stoljeća je obilježila Francuska revolucije na području Europe i Američka revolucije na području Amerike, što je dovelo do promjene u politici i u društvu koje su se odrazile i na modnu industriju. Razdoblje koje je koristilo antičku referencu, te je period obilježila bijela pamučna chemise haljina koja je bila moderna odjeća žena srednje i više klase 1790-ih, popraćena empire siluetom. In addition to providing an analysis of clothing from the end of the 18th century and the beginning of the 19th century, this thesis will present research of Constance Pipelet’s 1797 portrait by the French painter Jean-Baptiste François Desorio. The second half of the 18th century and the first half of the 19th century were marked by the First Industrial Revolution. However, the second half of the 18th century was marked by the French Revolution and the American Revolution which led to changes in politics and society that were reflected in the fashion industry as well. The 1790s used the Antuquity as reference and were marked by the empire silhouette white cotton chemise dress as the fashionable garment of middle- and upper-class women. |
| Databáze: | OpenAIRE |
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