How do person deictics construct roles for the reader?
| Autor: | Prak-Derrington, Emmanuelle |
|---|---|
| Přispěvatelé: | Interactions, Corpus, Apprentissages, Représentations (ICAR), École normale supérieure - Lyon (ENS Lyon)-Université Lumière - Lyon 2 (UL2)-INRP-Ecole Normale Supérieure Lettres et Sciences Humaines (ENS LSH)-Centre National de la Recherche Scientifique (CNRS), Laure Gardelle, Sandrine Sorlin, Les auteurs remercient le LABEX ASLAN (ANR-10-LABX-0081) de l'Université de Lyon pour son soutien financier dans le cadre du programme 'Investissements d'Avenir' (ANR-11-IDEX-0007) de l'Etat Français géré par l'Agence Nationale de la Recherche (ANR)., École normale supérieure de Lyon (ENS de Lyon)-Université Lumière - Lyon 2 (UL2)-INRP-Ecole Normale Supérieure Lettres et Sciences Humaines (ENS LSH)-Centre National de la Recherche Scientifique (CNRS) |
| Jazyk: | angličtina |
| Rok vydání: | 2015 |
| Předmět: | |
| Zdroj: | The Pragmatics of Personal Pronouns Laure Gardelle, Sandrine Sorlin. The Pragmatics of Personal Pronouns, John Benjamins, pp.147-169, 2015, The Pragmatic of Personal Pronouns Laure Gardelle, Sandrine Sorlin. The Pragmatics of Personal Pronouns, 171, John Benjamins, pp.147-169, 2015, The Pragmatic of Personal Pronouns |
| Popis: | International audience; In narratology, the grammatical category of person remains to be studied from the perspective of the reader. This article focuses on a particular type of first-person narrative, a type of " interior monologue " in the present tense, via Arthur Schnitzler's short stories Leutnant Gustl (1901) and Fräulein Else (1924). This type of monologue denies the reader's existence within the text (the reader is un-ratified, a reader-voyeur) yet forces the participation of the real reader (who becomes a reader-actor, the only vehicle that brings the silent " voice " of the protagonist to life). I propose to replace the notion of " cooperative reader " (Eco 1979) by that of " unratified/complicit reader ". The simulated immediacy of the deictic I functions as a powerful conveyor of projection and identification of the reader with the protagonist. |
| Databáze: | OpenAIRE |
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