Hellenism as an Analytical tool for Occicentrism (in Musicology) V2 (February 2017)
| Autor: | Beyhom, Amine |
|---|---|
| Přispěvatelé: | Beyhom, Amine, Centre de Recherche sur les Musiques Arabes et Apparentées (CERMAA), Fondation pour la Recherche, la Documentation, le Filmage et la Conservation des Musiques et Arts |
| Jazyk: | angličtina |
| Rok vydání: | 2017 |
| Předmět: |
Music history
[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts Re-Orientalism Orientalism Musicology Interval perception Acoustic resonance Arabian music Cycle of fifths Hellenism Pitch perception [SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts Scale theories Occicentrism Music perception tetrachordal construction maqām Byzantine chant Byzantinism Music Ancient Greek Music |
| Zdroj: | NEMO NEMO-Online, 2017, 3 (5), pp.53-275 |
| ISSN: | 2265-6561 |
| Popis: | International audience; Working on Byzantine chant was an eye-opener which explained the litany of misunderstandings, contradictions, obvious errors and allegations made in bad faith in maqām literature, some of which I have already mentioned in previous publications and papers. What remained inexplicable for me, for over two decades, was the reason why (and how) all of these errors could be made in the first place, in such a domain that is still today considered as the “science” of music: the answer to this question is the main object of this dossier. |
| Databáze: | OpenAIRE |
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