Situation of the Surrealist Subject
| Autor: | Svěrák, Šimon |
|---|---|
| Přispěvatelé: | Zuska, Vlastimil, Dadejík, Ondřej |
| Jazyk: | čeština |
| Rok vydání: | 2013 |
| Předmět: |
Vratislav Effenberger
Salvador Dalí krátké spojení principle of analogy psychic automatism Karel Marx surrealism Karel Teige láska nevědomí concrete irrationality love surrealistická fenomenologie imaginace psychoanalysis dialektika subject objekt praxe dialektická metoda dadaism princip analogie erotismus konkrétní iracionalita state of grace unconscious princip negace object Mikuláš Medek dialectics paranoiac-critical method psychoanalýza Georg Wilhelm Fridrich Hegel Hegel ontology irrationality UDS substance ontologie erotism imagination André Breton stav milosti objective chance dadaismus imaginace surrealismus objektivní náhoda subjekt paranoicko-kritická metoda praxis iracionalita psychický automatismus |
| Popis: | Univerzita Karlova v Praze Filosofická fakulta katedra estetiky Diploma thesis Šimon Svěrák Situation of the Surrealist Subject (abstract) 2012 thesis supervisor: prof. PhDr. Vlastimil Zuska, CSc. Abstract This thesis focuses on the situation of a substantial subject in the historical development of the surrealist experience and confronts it with our original postmodern interpretation of thoughts of early Marx. The surrealist consciousness is based on a dialectical opposition between rational and irrational elements of cognitive processes. André Breton apprehends this dialectics under the perspective of love life and relates it to values of love, freedom and poetry. Nevertheless, this conception changes in the immanent development of the surrealist consciousness from Breton over the work and thoughts Salvador Dalí and Mikuláš Medek to Vratislav Effenberger. Effenberger removes positive values from surrealism and puts emphasis on the critical functions of the irrational. On the psychological field, all these ideas are based on the conception of the unconscious which means there is the substantial approach in them. Our critical interpretation of Marx shows, that the surrealist concept of subject is in the contradiction with its substantial determination. The subject has to be perceived as the essential... |
| Databáze: | OpenAIRE |
| Externí odkaz: |
|