The ‘Deaf listening’
| Autor: | Brétéché, Sylvain |
|---|---|
| Přispěvatelé: | Perception, Représentations, Image, Son, Musique (PRISM), Aix Marseille Université (AMU)-Centre National de la Recherche Scientifique (CNRS), Créations et Langage en Musiques et Musicologie (Groupe de recherche) (CLeMM), Aix Marseille Université (AMU)-Ecole supérieure d'Art d'Aix en Provence (ESA AIX)-Centre National de la Recherche Scientifique (CNRS)-Aix Marseille Université (AMU)-Ecole supérieure d'Art d'Aix en Provence (ESA AIX)-Centre National de la Recherche Scientifique (CNRS), Aix-Marseille Université - Faculté des Arts, Lettres, Langues et Sciences Humaines (AMU ALLSH), Aix Marseille Université (AMU), Mitsuko Aramaki, Olivier Derrien, Richard Kronland-Martinet, Sølvi Ystad |
| Jazyk: | angličtina |
| Rok vydání: | 2019 |
| Předmět: |
[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts
genetic structures Deaf musical experience corpaurality [SHS.ANTHRO-SE]Humanities and Social Sciences/Social Anthropology and ethnology Deaf listening behavioral disciplines and activities humanities somato-sensitivity Deaf perception otorhinolaryngologic diseases [SDV.MHEP.PHY]Life Sciences [q-bio]/Human health and pathology/Tissues and Organs [q-bio.TO] psychological phenomena and processes Deaf people embodiment |
| Zdroj: | Perception, Representations, Image, Sound, Music-Proceedings of the 14th International Symposium on Computer Music Multidisciplinary Research 14th International Symposium on Computer Music Multidisciplinary Research 14th International Symposium on Computer Music Multidisciplinary Research, Mitsuko Aramaki; Olivier Derrien; Richard Kronland-Martinet; Sølvi Ystad, Oct 2019, Marseille, France |
| Popis: | International audience; This paper focuses on ‘Deaf listening’ and more specifically on the involvement of the body in the Deaf musical experience. More precisely, it proposes to consider the sono-sensitive qualities of the body, from the Deaf experience, and by the investigation of a fundamental principle of the human experience: the ‘corpaurality’. On the other hand, they are the natural modalities of Deaf hearing that will be discussed here, modalities which, detached from the ordinary aural perceptions, position the body at the center of the musical experience. |
| Databáze: | OpenAIRE |
| Externí odkaz: |
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