The Changing Role of the Cultural State. Art Worlds and New Markets. : A Comparison of France and Switzerland
| Autor: | Thévenin, Olivier, Moeschler, Olivier |
|---|---|
| Přispěvatelé: | Centre de recherche sur les liens sociaux (CERLIS - UMR 8070), Université Sorbonne Nouvelle - Paris 3-Université Paris Descartes - Paris 5 (UPD5)-Centre National de la Recherche Scientifique (CNRS), Université de Lausanne (UNIL), Victoria D. Alexander, Samuli Hägg, Simo Häyrynen and Erkki Sevänen, CERLIS - Centre de recherche sur les liens sociaux - UMR 8070 (CERLIS - UMR 8070), Centre National de la Recherche Scientifique (CNRS) - Université Paris Descartes - Paris 5 (UPD5) - Université Sorbonne Nouvelle - Paris 3, Victoria D. Alexander, Samuli Hägg, Simo Häyrynen and Erkki Sevänen |
| Jazyk: | angličtina |
| Rok vydání: | 2017 |
| Předmět: |
National cultural policies traditions
[SHS.SOCIO]Humanities and Social Sciences/Sociology [SHS.SOCIO] Humanities and Social Sciences/Sociology Social and economic function of the arts [SHS.INFO]Humanities and Social Sciences/Library and information sciences Cultural state [SHS.SCIPO] Humanities and Social Sciences/Political science [SHS.INFO] Humanities and Social Sciences/Library and information sciences Analyses of administration discourses [SHS.SCIPO]Humanities and Social Sciences/Political science |
| Zdroj: | Art and the Challenge of Markets. How Art Worlds Have Adapted to the Market-Based and Managerialist Turn in Society Victoria D. Alexander, Samuli Hägg, Simo Häyrynen and Erkki Sevänen. Art and the Challenge of Markets. How Art Worlds Have Adapted to the Market-Based and Managerialist Turn in Society, Palgrave Macmillan, 2017 Victoria D. Alexander, Samuli Hägg, Simo Häyrynen and Erkki Sevänen. Art and the Challenge of Markets. How Art Worlds Have Adapted to the Market-Based and Managerialist Turn in Society, Palgrave Macmillan, 2017, 〈http://www.palgrave.com/us/〉 |
| Popis: | International audience; Market and managerialism have met the art worlds in France and Switzerland according to their specific national traditions. Through the discourses of both cultural administrations, the contribution analyses the changing role of the cultural state facing the contrasting effects of globalisation and digitalisation on individualisation, identities and demography. While in traditionally art-friendly France the trend is towards new forms of territorialised but also European governance, in federally structured Switzerland the state, usually discreet in cultural maters, newly stresses the necessity of a stronger national cultural policy to take up these challenges. Transcending both cases is the trend to put the social, economic, cultural and cognitive dimensions of culture and communication forward to legitimize these profound changes in cultural policies, altering the definition of culture itself. |
| Databáze: | OpenAIRE |
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