Filmske adaptacije Shakespeareove Ukroćene Goropadnice
| Autor: | Barun, Josip |
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| Přispěvatelé: | Ryle, Simon John, Matas, Gordan, Willems, Brian Daniel |
| Jazyk: | angličtina |
| Rok vydání: | 2020 |
| Předmět: | |
| Popis: | This paper analyzes depictions of Katharina and Bianca in three film adaptations of Shakespeare’s The Taming of the Shrew: Griffith’s 1908 The Taming of the Shrew, Zeffirelli’s 1967 The Taming of the Shrew and Junger’s 1999 10 Things I hate about you. The paper observes their usage of the original text’s ambiguity in term of feminist/anti-feminist readings. It considers the implications of these depictions with regard to patriarchy and the idea of feminine resistance to patriarchy. The main thesis of the paper is that shifts in Bianca’s character create a shift in Katharina’s character while giving the whole adaptation a new undertone. Despite the time discrepancy between these films, the patriarchal conottations of these films are surprisingly similar. This is explained through 3 main sources, Christopher Bertucci’s essay “Rethinking Binaries by Recovering Bianca in “10 Things I Hate About You” and Zeffirelli's “The Taming of the Shrew””, Diane E. Henderson’s essay “A Shrew for the Times” and Kelly A. Rivers’ essay “Not for an age, but for all time”. Ovaj rad analizira prikaze Katharine i Biance u tri filmske adaptacije Shakespeareove Ukroćene Goropadnice: Griffithovu Ukroćenu Goropadnicu iz 1908., Zeffirellijevu Ukroćenu Goropadnicu iz 1967. i Jungerovu 10 stvari koje mrzim kod tebe. Ovaj rad proučava njihovu upotrebu dvosmislenosti originalnog teksta u smislu feminističkog/antifeminističkog čitanja. Rad razmatra implikacije ovih prikaza na patrijarhiju i ideju ženskog otpora patrijarhiji. Glavna teza rada je da pomaci u Biancinom liku stvaraju pomak u Katharininom liku, a cijeloj adaptaciji daju novi prizvuk. Unatoč razlici u dobu između ovih filmova, patrijarhalne konotacije tih filmova iznenađujuće su slične. To se objašnjava pomoću 3 glavna izvora, esej Christophera Bertuccija „Preispitivanje binarnih opozicija oporavkom Biance u „10 stvari koje mrzim kod tebe“ i Zeffirellijeve „Ukroćene Goropadnice“, esej Diane E. Henderson „Goropadnica za sva vremena“ i esej Kelly A. Rivers „„Ne za dob, već za sva vremena“: Shakespeareove romantične komedije na filmu“. |
| Databáze: | OpenAIRE |
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