Musique de l’Antiquité en Chine: Quand ‘soies et bambous’ (cordes et vents) sont accordés sur les cloches
| Autor: | Alexandre Journeau, Véronique |
|---|---|
| Přispěvatelé: | Centre de Recherches sur l’Extrême Orient de Paris-Sorbonne (CREOPS), Université Paris-Sorbonne (UP4), Arnd Adje Both, Ricardo Eichmann, Ellen Hickmann, Lars-Christian Koch, Alexandre Journeau, Véronique, Arnd Adje Both, Ricardo Eichmann, Ellen Hickmann, Lars-Christian Koch |
| Jazyk: | francouzština |
| Rok vydání: | 2008 |
| Předmět: |
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts
théorie musicale [SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory Archéologie de la musique musique chinoise carillon de cloches guqin |
| Zdroj: | Studien zur Musikarchäologie VI Arnd Adje Both, Ricardo Eichmann, Ellen Hickmann, Lars-Christian Koch. Studien zur Musikarchäologie VI, Orient Archäologie (22), VML Verlag Marie Leidorf GmbH, pp.487-507, 2008, 978-3-89646-652-5 |
| Popis: | International audience; Archaeological discoveries, by providing irrefutable proofs of the existence of an artefact in a given period, may challenge the interpretation of some texts. Conversely, texts are expected to express what is not ‘said’ by artefacts. This paper intends to explain the functioning of the Zenghou Yi’s bells chime (B.C. 433, unearthed in 1978) by re-interpreting both the poems of Shijing and the Sepu matrix. The Sepu Matrix, a diagram written by Xiong Penglai at the time of the Mongol invasion in the Yuan Dynasty, 13th century A.D., was aimed at preserving and perpetuating the secrets of ancient times but, unfortunately, was misunderstood afterwards. The first texts (poems of Shijing) are related to the organization of Chinese music into three groups while the Sepu matrix is related to the correspondence between these three groups. The correspondence is based on the pentatonic ‘se’ zither of ancient times, and the lülü (twice six-tones) system which is connected with the heptatonic system. The conclusions offered here bring to the fore the high level of ancient Chinese music. |
| Databáze: | OpenAIRE |
| Externí odkaz: |
|