ACCENT RETRACTION ON PROCLITICS IN CONTEMPORARY ACTORS’ SPEECH A CASE STUDY OF TWO THEATRE PERFORMANCES

Autor: Anita Runjić-Stoilova, Katarina Vrban Zrinski
Jazyk: chorvatština
Rok vydání: 2019
Předmět:
Zdroj: Zbornik radova Filozofskog fakulteta u Splitu
Issue 12
Zbornik radova Filozofskog fakulteta u Splitu, Iss 12, Pp 113-125 (2019)
ISSN: 1846-9426
2459-5128
Popis: U općeprihvaćenom suvremenom implicitnom govornom standardu naglasci se na prislonjenicama gotovo nikad redovito ne ostvaruju, osobito se ne ostvaruje novije prelaženje, odnosno „oslabljeno“ prelaženje naglaska. Brojna istraživanja govore da se naglasci na prislonjenice ne prenose redovito niti s kraćih (jednosložnih i dvosložnih riječi), niti se naglasci prenose na višesložne prijedloge, ponajmanje na veznike, unatoč strogim preporukama ortoepske „klasične“ norme (premda takvih prelaženja ipak ima, ali ona su mahom stilistička i smatraju se odmakom od implicitnoga govornog standarda). Autorice se bave proučavanjem naglasaka na prislonjenicama u glumačkom govoru. Spomenuta razlika između „klasične“ norme i uporabe najčešće se dotiče javnih govornika: spikera, novinara, voditelja, predavača, političara pa i glumaca, ali u studijskim kontroliranim uvjetima i gotovo se uvijek dotiče govora glumačkih prvaka. No, rjeđe se proučava govor glumaca u njegovoj stvarnoj izvedbi – u kazališnoj predstavi, filmu i radijskoj drami. Na tragu navedenih problema u ovom radu proučava se govor glumaca, odnosno ostvarivanje naglasaka na prislonjenicama, u kazališnim predstavama Gradskoga dramskog kazališta Gavella u Zagrebu. Predstave su trebale biti izvedene na standardnomu govoru, izvođene su nekoliko sezona, nagrađivane su na festivalima. Bile su dostupne kao videozapis i u pisanomu obliku. Istraživanje pokazuje da glumci, kao ni drugi javni govornici, ne ostvaruju naglaske na prislonjenicama kada je to prema pravilu moguće. Ako se naglasak na prislonjenici i ostvari, to je uglavnom povezano sa značajem dramske osobe ili je posrijedi teža govorna pogreška, s obzirom na to da je riječ o prelaženju kada to pravilo i ne dopušta.
In contemporary implicit standard speech accents are almost never regularly realized on proclitics. This is true especially for the most recent retraction or the weakened accent retraction. Much research has shown that accents are not transferred regularly on proclitics even from shorter one- or two-syllable words, just like they are not transferred to polysyllabic prepositions, and most of all, they are not transferred to conjunctions despite the strict recommendations of orthoepic “classic” norms (although such transferences exist, they are connected to style and are considered to be detachments from the implicit speech standard). The authors of this article are studying accents on proclitics in actors’ speech. The difference between the classic or implicit norm and usage is usually observed by public speakers: announcers, journalists, anchors, lecturers, politicians and even actors, but this usually takes place in controlled studio conditions with the best actors. Actors’ speech in a real performance (in a theatre performance, film, radio play) often is not studied. This work studies actors’ speech and the realization of accents on proclitics in the theatre performances of the Gavella theatre in Zagreb. The theatre performances that were chosen for this research had to be performed in standard speech, had to have a speech counselor, had to be performed for a few seasons and had to have won awards at festivals. The performances were also available as video recording as well as in written form. The research has shown that regarding actors, just like other public speakers, the accents on proclitics are not realized when the rule allows for it. Even if accents are realized it is connected to the character that the actors are playing or it can be a serious mistake in speech, since we are talking about an accent retraction that is not allowed by the rules.
Databáze: OpenAIRE
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