Temporal Looping and Pleating in Spring Breakers
| Autor: | Christiansen, Steen Ledet |
|---|---|
| Jazyk: | angličtina |
| Rok vydání: | 2023 |
| Předmět: | |
| Zdroj: | Christiansen, S L 2023, ' Temporal Looping and Pleating in Spring Breakers ', Interfaces — Image — Texte — Language, no. 48 . https://doi.org/10.4000/interfaces.5792 Christiansen, S L 2023, ' Temporal Looping and Pleating in Spring Breakers ', Interfaces — Image — Texte — Language, no. 48 . < https://journals.openedition.org/interfaces/5792 > |
| DOI: | 10.4000/interfaces.5792 |
| Popis: | This article is about the cinematic presentation of time, arguing that contemporary cinema increasingly draws on musical structures to organize images. Drawing on a Deleuzian conception of time in cinema, I propose and develop the idea of a morph-image. In the case of Spring Breakers, this musical structure is that of electronic dance music, that intensifies and amplifies experience through two primary temporal forms: looping and pleating. Time repeats and returns, brushing against itself. In so doing, Spring Breakers’ musical form expresses the tension between a closed or open future, what Nina Power has called the “weaponization of time.” |
| Databáze: | OpenAIRE |
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