Mad Narrators & Sadomasochistic Narration in The Blair Witch Project (Daniel Myrick & Eduardo Sánchez, 1999) & Paranormal Activity (Oren Peli, 2007)
| Autor: | Roche, David |
|---|---|
| Přispěvatelé: | Roche, David, Nathalie Jaeck, Clara Mallier, Arnaud Schmitt, Romain Girard, Cultures anglo-saxonnes (CAS), Université Toulouse - Jean Jaurès (UT2J), Nathalie Jaeck, Clara Mallier, Arnaud Schmitt, Romain Girard |
| Jazyk: | angličtina |
| Rok vydání: | 2014 |
| Předmět: |
narration
[SHS.LITT] Humanities and Social Sciences/Literature horror [SHS.LITT]Humanities and Social Sciences/Literature narrator [SHS.ART] Humanities and Social Sciences/Art and art history Paranormal Activity The Blair Witch Project [SHS.ART]Humanities and Social Sciences/Art and art history found footage |
| Zdroj: | Les narrateurs fous / Mad Narrators Nathalie Jaeck, Clara Mallier, Arnaud Schmitt, Romain Girard. Les narrateurs fous / Mad Narrators, Maison des Sciences de l'Homme d'Acquitaine, pp.319-34, 2014 |
| Popis: | International audience; David Roche asks this seminal question: who is the narrator in a film? Conjuring up key concepts such as "le grand imagier," "mega-narrator" or "perceiver," he claims that "monstration" is a form of story-telling even though there are different levels of "monstration." In the case of a very specific genre, "docu-horror," and of its recurring narrative technique, found footage, it seems that there are two kinds of narrator: the "mad" diegetic narrator, responsible for the footage, and the actual narrator, in charge of the "mise en chaine." |
| Databáze: | OpenAIRE |
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