| Popis: |
This study explored how to merge creativity in design with the Crest of KNUST to design and fabricate quality metal key holder and cufflink as souvenirs for KNUST. Based on the assumption that the various KNUST souvenirs seem to be limited in design and therefore lack creativity and variety, which limit the option of those purchasing. In executing the study, the philosophical underpinnings of the crest of KNUST was brought to bear. The study employed aesthetics and studio- based research methods under qualitative research approach to design and fabricate quality metal key holder and cufflinks to be used as souvenirs for Kwame Nkrumah University of Science and Technology. By using the Gestalt theory of design, which is concerned with the relationship between the parts and the whole of a composition, the researchers carefully select parts of the emblem of KNUST to design and fabricate a key holder and a cufflinks. Metal working techniques such as chasing and repoussé, fording and piercing were used to these souvenirs for KNUST. The researchers made use of the various tools and machinery available at the various studios of Meta T l Product Section of Industrial Art Department, KNUST. These included the milling studio, 4th Year production studio where all the piercing vices, drilling machines, stakes and soldering turntable are made available and finally the forging studio where brass scraps were melted into ingot. Results of the study revealed that by adopting the fundamental processes such as idea development, forming processes, joining processes and finishing processes coupled with the fact that local metal scraps are used, underpin the argument that producing quality and professional metal souvenirs can be done here in Ghana to meet any standard elsewhere. This shows that other metal products could be produced as souvenirs for KNUST. After carefully observing some souvenirs of KNUST and other institutions of higher learning, unique designs based on the emblem of KNUST can be done. |
