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Cilj ovog istraživanja je bio je prikupljanje podataka o učestalosti sinestezije među glazbenicima te koji tipovi sinestezije prevladavaju među njima. Daljnji su ciljevi bili prikupljanje podataka o pozitivnim, odnosno negativnim stranama sinestezije kod ispitanika te njezina utjecaja na svakodnevni život. Istraživanje je provedeno u Republici Hrvatskoj na uzorku od 174 ispitanika. S pomoću standardiziranog upitnika The Synesthesia Battery (Eagleman, Kagan, Nelson, Sagaram i Sarma, 2007) sastavljen je internetski upitnik preveden na hrvatski jezik na koji je odgovorilo 84 glazbenih profesionalaca, 65 studenata glazbe, 15 učenika te 10 glazbenih amatera. Ispitanici su upitnik rješavali tijekom studenog i prosinca 2022. godine i siječnja 2023. godine uz mogućnost anonimnosti. Rezultati su dali uvid u učestalost određenih tipova sinestezije među glazbenicima u RH, osobna iskustva sinesteta te osobnu i obiteljsku anamnezu. / The aim of this research was to collect data on the frequency of synaesthesia among musicians, including which types of synesthesia prevail among them. In addition, some of the goals are to collect data on the positive and negative aspects of synaesthesia among respondents and its impact on daily/everyday life. The research was conducted in the Republic of Croatia on a sample of 174 participants. Using the standardized questionnaire, The Synaesthesia Battery (Eagleman, Kagan, Nelson, Sagaram and Sarma, 2007), an online survey, translated into Croatian, was compiled and answered by 84 music professionals, 65 music students, 15 students and 10 music amateurs. The participants answered the questionnaire during November and December 2022 and January 2023 with the possibility of anonymity. The results provided insight into the frequency of certain types of synaesthesia among musicians in Croatia, personal experiences of synaesthetes, and personal and family history. |
