| Abstrakt: |
Abstract:Since the 1980s it has largely gone unnoticed how the British composer, conductor, and music entrepreneur John Rutter has become a leading figure in popular music—successful on the global music market, popular in the English-speaking world, and regularly at the top of the classical music charts with his Christmas song compositions. Rutter embodies precisely the opposite of commercial pop culture: he is the antitype of a pop star, he succeeds with sacred music, he addresses the middle class and the bourgeoisie, and he personifies family values, community spirit, and the preservation of tradition. Using the example of Rutter, the author demonstrates the importance of conservative pop cultures for the emergence and development of a transnational conservatism in Europe and North America since the 1970s. The article reveals the interplay between nationalization and transnationalization in conservatism, and points out the variety of forms and contexts in which conservative dispositions can appear in popular musical cultures. They offer opportunities for politicization, but can also remain effective purely in the cultural sphere. Rutter's sound worlds clearly transcend English cathedrals and college chapels. |
