| Abstrakt: |
The article features German composer Jakob Ullmann. Topics discussed include link between his musical background and hie life in the former communist German Democratic Republic (GDR), the difficulty of staging his compositions due to their complexity, and albums of his compositions issued by the recording company Edition RZ. Also mentioned are highlights of recordings such as "Fremde Zeit--Addendum 4," Ullmann's preference for low volume levels, and his fascination with pitch and volume. |
