Vachel Lindsay: el cine y los jeroglíficos de la modernidad.

Autor: Suárez, Juan Antonio
Zdroj: Archivos de la Filmoteca; Jun2005, Issue 50, p85-97, 14p, 7 Black and White Photographs
Abstrakt: Intended as an introduction to the accompanying translation, this essay discusses Lindsay's film theory and places particular emphasis on two crucial but largely neglected aspects of his writing: his attention to filmed objects and filmed spaces. Both are seen by Lindsay as important components of the film image in that they can provide images of order in the chaotic sensorial and conceptual environment of modernity. Lindsay's interest in spaces and things brings him close to a number of early film theorists and makes him a precursor as well of a recent reorientation of film and cultural studies toward nonanthropomorphic representation. [ABSTRACT FROM PUBLISHER]
Databáze: Supplemental Index