Autor:	Heine, Erik
Zdroj:	Film Score Monthly (FSM Online); Nov2024, Vol. 29 Issue 11, pN.PAG-N.PAG, 1p
Abstrakt:	The article presents an interview with composer Dan Deacon about his transition from electronic music to scoring films, including his work on the film "Venom: The Last Dance." Topics include discussing Deacon's early experiences with musical instrument digital interface (MIDI) and electronic music, his journey from touring musician to film composer, and the surprising connection with Francis Ford Coppola that led to his film career.
Databáze:	Supplemental Index
Externí odkaz:	Zobrazit plný text záznamu